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Showing Records: 1 - 12 of 12

Ampersands, 1968

 Item — Folder 13: [Barcode: 31858069877920]
Identifier: CC-22038-22454
Scope and Contents

Design by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

British Modernism, Fact or Fiction? - A Debate / Cobbing, Bob; Lucie-Smith, Edward; Finlay IH; Houedard DS; Furnival J; Fernbach-Flarscheim C; Cox K., 1971

 Item
Identifier: CC-17781-18150
Scope and Contents

Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

Gloup and Woup / Cobbing, Bob, editor; Houedard DS; Furnival J; Cox K; Mayer P; Cobbing B; Edmonds T., 1974

 Item
Identifier: CC-19807-20194
Scope and Contents

GLOUP (GLOUcestershire grouP) signifies name given by Jonathan Williams to group of concrete poets living in the west of England, mainly in Gloustershire, including Dom Sylvester Houedard, John Furnival and Kenhelm Cox. WOUP (Westminster grOUP) is name given by Bob Cobbing and Peter Mayer to group of concrete poets living in London, mainly in the city of Westminster, including Cobbing, Mayer and Tom Edmonds. This anthology presents five works by each the poets. One copy has a yellow papercard cover, the other an orange one with a tear. Tom Edmonds who died at age 27 years was a member of the group; the Sackner Archive holds three of his typewriter drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Little Magazines and How They Got That Way / Cobbing B ; Phillips T ; Houedard DS ; Furnival J., 1990

 Item
Identifier: CC-07387-7531
Scope and Contents

Review of small magazines published in England and America from the 19th century to contemporary times. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Notions and Notations / Cobbing, Bob; Furnival J; Houedard DS; Cox K; Claire K; Claire P; Williams E., 1979

 Item
Identifier: CC-17596-17963
Scope and Contents

Cobbing concludes in this essay, visual (concrete) poetry can be heard, smelt, has colours, vibrations whereas sound poetry dances, tastes, has shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

The Computer's First Translation / Morgan, Edwin, editor; Cobbing B; Furnival J; Parfitt W; Finch P; Morgan E., 1979

 Item
Identifier: CC-32393-33964
Scope and Contents

The card depict unreadable poems that might have been produced, according to Morgan's imagination, by bugs in computers' first programs on making translations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979